会 期 | 2025年4月19日(土) - 2025年4月27日(日) |
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時 間 | 11:00 - 20:00 ※最終日は18:00まで |
場 所 | 8/CUBE1,2,3 |
料 金 | 入場無料 |
主 催 | 新海友樹子 夏實 お問い合わせ:shinkai.design@gmail.com |
「人と土のカタチ」は、どんな形だろうか。私たちと自然の間にある関係性を見つめ、都会の真ん中に立ち現れる、陶器と装いの展覧会。
“Forms of Humans and Earth” presents works by Yukiko Shinkai and Natsumi, each exploring the relationship between humans and nature from their unique perspectives.
Yukiko Shinkai expresses through sculpture and installation that humans exist as part of the Earth, living within cycles of nature. At the core of her practice is the idea that everything in the world is interconnected—just as humans cannot survive without other living beings and nature. In contemporary society, where social media has made verbal communication dominant, she senses a diminishing opportunity to understand the world through the body. She believes that reinterpreting the world through bodily experience could help us reconnect with the essence of being human—our intrinsic relationship with the non-human. Her works invite viewers to reflect on this idea, evoking a deep connection between the body and nature.
On the other hand, Natsumi explores how we engage with the undefined aspects within ourselves through clothing and drawing. Just as words carry meaning, humans define themselves through comparison with others, gaining a fragile sense of security by attaching a “name” to their existence. Meanwhile, non-human beings grow fluidly, adapting to environmental changes and interactions with others—perhaps the most natural way of living. Through her work, She prompts viewers to reconsider this inherent way of being, encouraging them to reflect on their relationship with society, their independence, and the ways in which they present themselves.
Through the works of Yukiko Shinkai and Natsumi, “Forms of Humans and Earth” offers an opportunity to recognize the inseparable connection between humans and nature while providing new perspectives on the world around us.
新海友樹子
1999年東京都生まれ。絶えず変化し続ける社会の中で植物、動物、人工物などと共生する人間の姿をモチーフに作品を制作する。ソーシャルメディア等の普及により、身体を伴わない言葉が溢れる現代に、目に見えない物事に陶器の形(身体)を与え、鑑賞者との対話を探求する。